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|Eshaliev Eldar Zulunbekovich was born in 1984 in a Kharkov in. Initial art formation has received in the Kharkov art lyceum. Since 2002 - the student of the Kharkov state academy of design and arts of faculty the Fine arts on specialization Easel painting (masterful V.L.Ganotskiy and V.N.Chaus).
Works of Eldar Eshaliev - landscapes, still-life's, portraits - are written in the best picturesque traditions. The artist prefers work in the open air in techniques of oil painting, to it most close realistic traditions, art of the Soviet painters, and also creativity of artists of the end 19-has begun 20 c. Compositions of works, on a recognition of the author, are born not so much in album sketches and plain-air etudes, how many during the moments daily motive interesting objects. The hobby of the young painter for an art photo, most likely, has grown from necessity of continuous fixing visual impressions intuitively snatched out at daily occurrence.
The hobby of the young painter for an art photo, most likely, has grown from necessity of continuous fixing visual impressions intuitively snatched out at daily occurrence. The objective of a camera, being focused on what fleeting, gives rich ground for creativity. But “ the eye of the painter”, passing through a prism to one it of inherent vision inconspicuous for the majority of inhabitants plots, demands other decisions. And on a canvas there is the new image, a new condition of the nature or something other, gone through personally…
Plastic and color scores of cloths of E.Eshaliev are close impressionism to principles. “Languid, uninteresting combinations”, is not about works by Eldar as dynamics of colorful weights defines essence of their compositions. As a whole is picturesque-plastic principles of cloths of E.Eshaliev are subordinated a noble purpose - to approve a priority of painting in some reeled hierarchy of the modern arts as truly creative way of display of world around in its imperishable beauty and banality, the universal ordinary and poetry, eternal simplicity and philosophy.
Today E.Eshaliev is in active creative search. Its works decorate private collections of, the, and, and new can borrow a place of honor in new assemblies of painting.
Natalia Marhajchuk, The critic