ART International Fair For Contemporary Art Innsbruck 19 - 22 February 2009, fair hall 4, Innsbruck La Galleria d’Arte Mentana di Firenze Presenta: Maestri del 1900 Promozione artisti emergenti Stand C/08 Seite 58-60 Stand C/10 Seite 28 Artisti: SERGIO BENVENUTI FAIKA AL HASAN ENRICA BOROZZI GIULIO CECCANEI FRANCESCA COLI MIRIAM DE BERARDIS ANGELO DE FRANCISCO ANNIE GHERI UGO NESPOLO MAX NOBILE VITTORIA MARZIARI RICCARDO PACI CLARA POLVANI KOSTAS SPYROPOULOS GIANNA STOMEO EMILO TADINI BIANCA VIVARELLI VITTORIO TESSARO JANAX PATRIZIA VOLTOLINI BERNAKI ROSARIO BELLANTE FRANCO LASTRAIOLI LUIGI DE GIOVANNI Galleria d’Arte Mentana I-50122 Firenze, Piazza Mentana 2/3R Tel. + Fax 0039/055/211985, Messetelefon 335/1207156 e-mail: email@example.com, www.galleriamentana.it International Fair For Contemporary Art Innsbruck 19 - 22 February 2009, fair hall 4, Innsbruck Thu 11am – 8pm, Fri 11am – 8pm, Sat 11am – 9pm, Son 11am – 6pm
Biography: Biography Luigi De Giovanni born on 12 February 1950 in Specchia (Lecce). He graduated to the Institute of Art of Poggiardo in the 1969. In the 1974 he graduated to the Academy of the Fine Arts from Rome. From the 1970 to the 1978 he follows the Free Course of the Nude. From tender age he paints designs and acquerelli followed from the mother. In the 1967 he paints frequently and he does the his before collective show. In the 1973 with the Avanessian teacher he begins the study of the “imprimitura” of the cloths and of the powders. In the 1974 he improve in the technique to oil. In the 1980 experiment the temper to the egg; he realize some operas with an only thread conductor "social climbs." In the 1988 he experiment coed techniques with the custom of materials of discard symbol of "refusal" which: segatura, metallic shavings, shiver of unserviceable rubber, paper and cloths. He begins the report with the Gallery "Mentana" from Florence that presents him to the Fair Arc from Madrid. In the 1990 he starts to realize and to expose operas that have like conductor thread "the anguish in the actual society"; he starts to use the old jeans like cloths for his operas to social character. From the 1979 he paints Sardinia where he spends long periods.
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